Les héritiers (1955)
Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness. seduction, quebec, montreal, canada, silent film, vie quotidienne, bonheur, documentary, réalisme documentaire, rapport individu-société, disparités sociales, société de consommation